![]() ![]() ![]() The yang to thatying, though, is provided by her inclusion, too, of lots of pointedlynon-natural sounds.Ī kind of mechanical, strangely 19th century soundingwhirring clicking sound is used to great effect on Sleep, Cry Wolf andTurbine Womb – possibly a camera’s shutter clicking. ![]() Plaschg is a proficient pianist, and many tracks soundlike classical compositions (in particular Cynthia, but also the piano-ledparts of Sleep, Extinguish Me, and Turbine Womb), also usingorchestral-sounding strings to evoke a range of emotions. Running through this haunting record there appears to be a key theme, orrepeated motif, of the “natural” and organic juxtaposed with thesynthesised, man-made or mechanical, reflected in the choice ofinstrumentation. The sophisticationof Plaschg’s vision, and its realisation, would suggest a far older head,and this is music that impresses when judged on its own merits. ![]() One of many remarkable things about this debut album is that it that theAustrian artist behind it – Anja Plaschg – is only 18. ![]()
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